Archive for category Wendy's Piano Studio
Rhythm Worksheets
Posted by Wendy in Piano Teaching, Wendy's Piano Studio on February 3rd, 2010
The files that most often get downloaded off of this site are the Rhythm Worksheets. So, I thought I would highlight these for those of you who have not seen them yet.
Rhythm worksheets and other helpful PDFs for teachers are under the Wendy’s Piano Studio tab under the submenu: Teaching Resources. There are 2 sections with rhythm worksheets:
1. Music Progressions Rhythms
This section features a set of 10 levels of rhythms that correspond with the Kansas Music Teachers Association (and the Washington MTA) curriculum called Music Progressions. The rhythms get progressively more difficult, even using two handed rhythms starting in Level 7 and polyrhythms in Level 10.
2. Rhythm Worksheets
These are worksheets that I have created to introduce and drill certain kinds of rhythms. For example, if I am introducing eighth notes to a student for the first time, I will print the eighth note worksheet and have them practice these at home. I use the Eighth Note Worksheet, the Dotted Quarter Note Worksheet, and the 6/8 timing Worksheet the most often in my studio.
You’ll notice in the Rhythm Worksheet section that Levels 1-10 of Music Progressions Worksheets are also found on this page. This is just to make finding all rhythm worksheets easier.
USING THE WORKSHEETS
In my studio, I ask my students to count out loud. So, the usual process for using these worksheets (and a few variations that are effective) is as follows:
- Counting/Clapping. Ask the student to practice counting out loud and clapping the rhythms.
- Metronome. If they are able to do this well, ask them to use the metronome while they are counting and clapping (usually set at 72).
- Cool Sounds. If they complete this successfully, ask them to find a “cool sound” on the piano and play the rhythm with that sound, counting out loud and with the metronome.
I like to encourage students to use sounds other than 3rds, 5ths, and triads, though we’ll often start with those intervals especially if that is the focus of that week’s lesson. To me, a cool sound might be a cluster, a tritone, or any number of notes that just sound interesting together.
Since this is the most often accessed part of the site, I have a questions for you: What other kinds of rhythm drills would be most helpful to you?
New Triplet Rhythm Drill
Posted by Wendy in Music for Teaching, Piano Teaching, Wendy's Piano Studio on January 28th, 2010
Since I use my own site as my “go to” for rhythm worksheets, I’ve become aware that there is no rhythm worksheet for introducing triplets! So, I have created a Triplets Worksheet and have posted it to the Rhythm Worksheets section (under Wendy’s Piano Studio: Teaching Resources).
I hope this is helpful!
Recording students, Posting to YouTube
Posted by Wendy in Piano Teaching, Wendy's Piano Studio on January 14th, 2010
After posting my students’ Jingle Bell variations, someone asked me to elaborate on how I record my students and then post to YouTube. There are a number of great posts out there about recording your students, so I’ll just give you the fast and easy method of recording video!
- I record video of my students with my digital camera. Most digital cameras take digital videos these days. Some restrict the amount of time you can record a student, but the newer cameras usually allow for as long of a video as your memory card will hold.
- I download my video from my camera to my computer. I like to use the free software called Picasa to store all of my photos and videos.
- I edit my recording on Windows Movie Maker, though you can do a bit of editing with Picasa as well. Within the Movie Maker, you can upload the video from your camera and cut and paste it into a linear movie line where you can also add intros, captions, endings, etc.
- I upload my video to YouTube. You must first have an account on YouTube to do this. This is especially easy if you have gmail address.
- I add captions using YouTube. YouTube will allow you to add captions and make minor edits to your video before allowing others to see it.
- Once the video is on YouTube, you can copy and paste the html that allows your website to “air” your video. You can “air” any video on your website that is hosted on YouTube.
Here are some things that you need to consider before posting videos online:
- Privacy. I protect my student’s privacy by only showing their hands playing the piano and by only using their first names. Many parents, including myself, would be very unhappy if they saw a video of their child on YouTube and had not given permission to post it. Be careful to protect the privacy of your students.
- Copyright. Most music published in the last 70 years is still under copyright (copyright extends from the lifetime of the composer life plus 70 years), so you must be careful not to post full recordings of current composers without consent from who owns the copyright (which is usually the publishing company). You’ll notice that I have only posted recordings of my own student’s variations of a public domain tune. Posting performances of “classical” music is a bit less problematic since most of the classical composer’s music is in the public domain and its just the editions of printed music that are copyright. Be careful with early 20th Century composers though as their works may still be copyright.
- Duration and File Size. Youtube has limits as to the size of the file being uploaded (2 GB or 10 minutes), so it is better to take short videos and upload them than one long video. Of course, you can always edit your video after the fact. Most readers will only watch a 2-3 minute video with interest, so plan accordingly.
I hope this helps. It’s a very scaled down version of what can be done, but these days, what is fastest is often the best for me and I know is probably the case with many other teachers.
Additional info on PE Composition Contest
Posted by Wendy in Composing Opportunities, Piano Teaching, Wendy's Piano Studio on December 22nd, 2009
This year, I noticed that the Piano Explorer did not specify the age brackets for their composition contest. So, I emailed the editor and asked her a few specific questions about this and other things. Here is her response:
Question #1:
Are there age divisions in the contest this year?
Answer:
In general, there are age divisions, typically 10 and under and 11 and up. We cannot guarantee this will be the dividing line, but it has been for the past ten years.
Question #2
What are the prizes for the winners?
Answer:
There are monetary prizes for first, second, and third place – all typically under $100.
Please read PE Composition Contest for more details.
PE Composition Contest
Posted by Wendy in Composing Opportunities, Piano Teaching, Wendy's Piano Studio on December 19th, 2009
The January issue of the Piano Explorer has arrived and the details of their annual composition contest are included. If you are a student in my studio, you can pick up your copy at your first lesson in January, but I wanted to give you the details so that you can work on this over your break (since you will only have 1 month to complete your piece due to our schedule).
This years theme is animals. You are instructed to pick and animal (or animals) and describe it with your music. “You can write about a pet, an animal you saw at a zoo or in a book, or any creature you are interested in.”
Here are some questions to answer to help you get started:
- What animal do you want to write about?
- What kind of things does this animal do? (Make a list.)
- How does your animal act?
- What kind of personality does this animal do? (Think about some of those adjectives we used in the Jingle Bells Variations…energetic, lazy, angry, animated, etc.)
Remember that good answers to these questions in the beginning will help you shape the composition. After you have answered these questions, ask yourself how the answers might be depicted on the piano. For example, if your animal is scared, how would you depict that in music? (Some possible answers might be use minor, high sounds, fast and frantic music, half steps which sound creepy, etc.) Then, try to come up with a good motive and melody for your A section. We can fine tune your A section at the first January lesson.
Here are the rules of the contest:
- You must subscribe to the Piano Explorer (all my students are).
- Only solo piano music will be considered.
- All submissions must be postmarked or faxed by March 5, but you’ll need to have yours finished by the end of January because of our unique schedule this year.
- All of your composition must be written by you, but I can help you write it down.
- Do not copy other pieces of music in your compositions. Your piece will not be considered if you use other people’s music as that is a violation of copyright laws.
- No submissions will be returned, so we will keep a copy for you.
Good luck!
Jingle Bells Variations
Posted by Wendy in Piano Teaching, Teaching Composition, Wendy's Piano Studio on December 9th, 2009
If you have heard the Composition for Kids lecture, you have heard about the Theme and Variations challenge that I have suggested to “encourage creativity.” This last month, I challenged the students in my studio to create their own variation of Jingle Bells. You can read the details of the project and how to do one yourself in this previous post.
My students have finally completed their variations, and I am happy to report that even the students who have never been interested in composition before now participated in this challenge! Some students took off with this idea and knew exactly what they wanted to do and how they wanted to do it. But with most students, I employed a procedure to help them get started which I have detailed under the video.
Though the video is long, I thought it important to keep everyone’s variation together for a true Theme and Variations form. In future posts, I will be commenting on how I coached these students and how I might further coach them provided we had the time. The performances aren’t perfect, but encouraging creativity that was most important. There are 10 variations to Jingle Bells and the student represent a variety of levels from beginning to late intermediate. Enjoy!
Here is how I helped some of the students develop their variation:
1. Pick a mood. You can see the list of moods here.
2. I asked them what kind of things you could do on the piano to create that mood. I would ask them questions about:
- Location of melody (fragile sounds were obviously higher, dark sounds were lower)
- Tempo
- Modality
- Harmony (Many students chose to use harmonies that were in pieces they were currently studying. This was a wonderful sign that their vocabulary of possible sounds expands with the repertoire that they study.)
- Meter (Several had really enjoyed previous waltzes they had studied, so we experimented with how to change Jingle Bells to a 3 beat meter.)
- Texture (though I didn’t name it, we talked about lonely sounds, unison sounds, chords, ostinatos, etc.)
3. After they had a list of possibilities, I sent them home to create their variation. With some students, we were able to tweek the variation in subsequent lessons. With others, we “accepted” their variation because of a lack of time to tweek.
Christmas Cover Art Winners (Please vote again)
Posted by Wendy in Wendy's Piano Studio on December 9th, 2009
At Wendy’s Piano Studio, students recently submitted artwork for our Christmas Cover Art contest. The artwork was fabulous this year, so congratulations to all of you on being so skillful in your drawings. I have tallied the votes, and the two winners of the Christmas Cover Art Contest are:
Older Division:
Younger Division:
Now, every student needs to vote on which artwork will be on the cover of our program and which artwork will be on the inside/back of the program. To vote, send me an email by Tuesday, December 15th. Include the following:
1. Your Name
2. Which should be on the cover? (older or younger)
3. Which should be on the inside? (older or younger)
Christmas Cover Art Contest
Posted by Wendy in Wendy's Piano Studio on December 2nd, 2009
For students in Wendy’s Piano Studio: Your artwork this year is wonderful! I am so impressed with your drawings, especially since I find it difficult to draw even a 3 dimensional box. Below, you will find all of the drawings and instructions for voting.
To vote for this year’s contest, send me an email that includes the following:
1. Your name
2. Your vote for the best drawing in the Older Division
3. Your vote for the best drawing in the Younger Division
PLEASE NOTE: You may vote for your own drawing. All students may vote, even if you did not enter a drawing.
OLDER DIVISION: Please indicate whether you like Entry 1, 2, 3, or 4 best.
Entry 1
Entry 3
Entry 4
YOUNGER DIVISION: Please indicate whether you like Entry 1, 2, 3, 4, or 5 best.
Entry 1

Entry 2
Entry 3
Entry 4
Entry 5
An egregious error
Posted by Wendy in Piano Teaching, Wendy's Piano Studio on November 14th, 2009
Sheila was so kind to alert me to my egregious error on the Christmas Pieces Flashcards. The last example, Away in a Manger, was set in a 4/4 time signature instead of 3/4. I have corrected the original file, so you’ll want to go back and get that last page of Christmas Pieces Flashcards if you have already printed these. Thanks for your keen eye, Sheila!
Name that Christmas Tune
Posted by Wendy in Piano Teaching, Wendy's Piano Studio on November 9th, 2009
I’m always looking for a good way to help my students do well on melodic dictation. At our most recent group lesson, I used these Christmas Pieces Flashcards for a “Challenge!” game.
This is how we played:
Two teams lined up behind a table. The first person in both lines put their hands behind their back and stood in front of a table with a call bell in the middle. I showed them a Christmas Tune Flashcard and the first person to ring the bell with the correct answer earned a point for their team.
Some of the tunes were difficult for the students, so I told them their team members could help them by clapping the rhythm or quietly helping them sing the tune. The kids had fun and the game became more of a team effort than an individual one, which is often more exciting for the group lesson.








